The film’s prominent moral voice is Pablo Salas, a filmmaker and archivist who has worked since the 1980s to document acts of political resistance and state violence. Musician Javiera Parra remembers the violence she witnessed as a child.
Jorge Baradoit, a writer of history and fiction, discusses the continuation of Pinochet’s project in the social and economic structure of contemporary Chile. Among the interviewees are Vincente Gajardo and Francisco Gazitúa, sculptors who draw from the raw materials of the Cordillera to produce their artwork. At once protective and isolating, magisterial and indifferent, the Cordillera serves as an enigmatic focal point around which Guzmán contemplates the enduring legacy of the 1973 military coup d’ état.Īlong the way, Guzmán interviews artists, writers, and documentarians, drawing out their conflicted feelings towards the Cordillera and its relationship to Chilean national identity and history. It centers on the imposing landscape of the Andes that run the length of the country’s Eastern border. Winner of the Best Documentary award at the Cannes Film Festival, master filmmaker Patricio Guzmán's The Cordillera of Dreams completes his trilogy (with Nostalgia for the Light and The Pearl Button) investigating the relationship between historical memory, political trauma, and geography in his native country of Chile.
